MF-Sphere

 
Main ● NewsBioTextContact
 
● Works ● 2017 20162015201420132012201120102009>2008Installation / Space
 
● Projects Technologie und das UnheimlicheOvermindSilan
 

"Please mother, can't we go some place where there isn't any sky?" (mixed media environment, size variable) 2014 at Labor, Budapest
(Title from: Albert E. Kahn: The Game of Death – Effects Of The Cold War On Our Children, 1953, 23.)
Text by Krisztina Hunya

Romantic ruins of the 21st century (The bunker metaphor in Mark Fridvalszki's art)

Bunker systems serve to protect and survive. Their memory bring to our mind the Cold War paranoia and it’s emblematic image: a trembling finger placed on a red button, ready to light the world on fire. The little American boy quoted in the exhibition’s title willingly asks his mother for a place unfriendly, claustrophobic and dark, that saves him from the uncanny buzzing approaching from the sky. Bunkers are described as prisons, crypts, graves, or at the very least asylum, as an ambivalent medium removing us from reality, space and time. For shorter or longer we are kept aloof from everything left on the surface. Being 25 years after Transition, it became clear that neither decontamination equipment, nor residential air-raid shelters provide the necessary protection from mankind`s destructive force. Nevertheless, artists, theorists as well as tourists show recent interest for the manifold entity of these post-war structures. The bunker is approached not merely as an historical artifact but as a spatial metaphor for the current anxieties of controlled and directed societies. Mark Fridvalszki’s space-specific and multimedia installation conjures the shelters built against WMDs (weapons of mass destruction), nostalgically reflecting upon the graphic, material and intellectual culture of the Cold War period. As its point of origin, this subject can be traced back to his earlier works, however it will gain a new formulation for the upcoming display at Labor Budapest. The artist breaks with the flat system of the panel and creates an environment filling the whole space. Latter is accomplished together with Zoltan Solomon’s sonic space-interpretation, a life-act, to be performed at the exhibition’s opening, adding a new dimension to the presentation and the intended bunker-atmosphere.






Poster (offset print, din A2, ed. 40) Source: "MP-15 The family fallout shelter" manual published by the Office of Civil and Defense Mobilization 1959

 

 









"Ark" (acrylic transfer on wood, 100x200cm) 2014 (source of text: Civil Defense Moral, 196?)



(found GDR coin)



Photos: János Iván Kárpáti

Series "Visions" (mixed-media on paper, din A4) 2007






Technologie und das Unheimliche / vol. I. "Bunker"



Photos: Zsuzsi Simon


Top
© Mark Fridvalszki 2008 - 2017
Last Revision: 26 - 01 - 2016